Memorial of Saint Athanasius, Bishop and Doctor of the Church

“The Father who dwells in me is doing his works
believe because of the works themselves…
whoever believes in me will do the works that I do…”

The Gospel refuses abstraction.

It does not speak of ideas alone,
but of works
things done,
things seen,
things that leave mud on the hands.

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It has looked remarkably like a leaking pipe.

Each day I would return from my clean work of teaching—
a profession admirably free of mud—
and descend, quite literally, into the earth.

Sticky clay, stubborn roots, and the general resistance of creation
to being improved by me.

I considered easier solutions, of course.

I am very good at imagining elegant alternatives to difficult realities.

But the leak remained stubbornly physical,
and so, apparently, did the solution.

So I dug.

And washed.

And repeated.

There is a curious rhythm to such labor:

Clean clothes become dirty.
Dirty clothes become clean.
And somewhere in between, something is actually accomplished.

Yesterday, at last, the pipe was mended.

Water flowed.

And I stood there, muddy and triumphant,
realizing I had been given a rather pointed lesson.

For there are those—both ancient and modern—
who prefer a God who fixes things from a distance.

A God who remains unsullied.
A God who waves His hand from heaven
and avoids the indignity of involvement.

But Saint Athanasius would have none of this.

He insisted—quite stubbornly—that God did not merely command salvation.

He entered it.

He did not avoid the mud.

He assumed it.

And here I am, reluctant to get dirty for far smaller repairs.

Yet Christ does not merely tell me to believe in His works
He tells me I will do them.

teach me to work as You work.

I prefer ideas to effort,
clean solutions to messy realities,
and distance to involvement.

And yet You entered the very earth I hesitate to touch.

You took on flesh,
walked among us,
and repaired what I could not.

Give me the courage to descend—
into the tasks before me,
into the needs of others,
into the places that are inconvenient and unclean.

And let my works not be for show or self,
but a reflection—however small—
of Yours.

Chesterton would have relished the absurdity of it:

That the infinite God chose to become, quite literally, involved.

Not as a distant architect,
but as a laborer.

Saint Athanasius stood almost alone in insisting that this scandal was the truth.

That God did not merely resemble us—
He became one of us.

Fully.

Completely.

Messily.

For if God only appeared to act,
then the works are illusions.

But if God truly entered our condition,
then every shovel of dirt, every act of care, every hidden labor
can become a participation in divine work.

The modern temptation is to spiritualize everything
until nothing remains.

But Christianity does the opposite:

It incarnates everything
until even mud becomes meaningful.

And so the paradox stands:

To be spiritually clean,
I must be willing to become physically—and spiritually—dirty.

Logo of the Laudato Si' Action Platform, featuring a stylized tree design with a gradient of colors, and the text 'LAUDATO SI' Action Platform' in a modern font.
Logo of Pope Francis' encyclical 'Laudato Si' featuring a globe surrounded by smiling children and green leaves.
Laudato si’ §6

Laudato si’ reminds me that care for creation is not theoretical—it is concrete, physical, and often inconvenient.

Action:

Today, I will embrace one necessary but messy task—
not avoiding it, not delegating it unnecessarily—
but entering into it as a participation in the works of God.

For Synodality is not merely discussing the path—
it is walking it, step by step, work by work.

“She Works Hard for the Money” is a 1983 song by American singer Donna Summer. Blending post-disco and pop-rock styles, it became one of her signature anthems celebrating women’s resilience and labor. The track was a major hit across global charts and remains an enduring symbol of female empowerment in popular music.

A tribute to perseverance in labor—but the Gospel reveals that the deepest work is not for money, but for meaning.

Whatever Works is a 2009 American romantic comedy film written and directed by Woody Allen. Set in New York City, the film stars Larry David as a cynical physicist whose misanthropic worldview is challenged when he becomes involved with a much younger, naïve Southern woman played by Evan Rachel Wood. The film blends Allen’s characteristic neuroses and humor with philosophical musings on luck, love, and happiness.

A title that suggests pragmatism—but faith transforms “whatever works” into “whatever participates in the work of God.”

8. Poetic Verse

I sought a God who stayed above,
untouched by dust and strain—
yet found Him kneeling in the earth,
amid the sweat and pain.

Not distant hands that shaped from far,
but hands that bore the scar—
that mended what I could not fix,
and met me where I are.

So let me take the lower path,
where hidden labors prove—
that every work done in His name
is works He does in love.

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