“Wheat and Chaff”-Second Sunday of Advent LECTIO DIVINA

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A tribute built by John Salazar for Bishop Matthiesen—whom Matthiesen kept in ministry against the counsel of cardinal archbishops, giving him a “second chance.” That second chance resulted in the sexual assault of youth in our own diocese. And just before he was defrocked and sent to prison, he raised this monument in Bishop Matthiesen’s honor. Its presence remains a painful reminder of “serious mistakes” that harmed the very flock Bishop Matthiesen was meant to protect.

“If Boston is the fault line of the child sexual-abuse scandal that has convulsed the Roman Catholic Church, then few places have felt the aftershocks more deeply than the Diocese of Amarillo.”

New York Times
August 24, 2002
Memorial in the Grotto of St. Mary’s Cathedral. The inscription says:
In memory of the death of innocence of the victims of clergy sexual abuse. When innocence dies…a life stops. It is essential that we never forget.
Email to Bishop Zurek

Subject: A Request for Vigilance and Hope on This Last Day of the Liturgical Year

Your Excellency,

It was good to see you home at the Cathedral for Thanksgiving Mass. As we reach the end of the liturgical year and prepare for the Centennial, I write with a simple concern that continues to weigh heavily on my conscience.

In prayer, especially through the Gospel’s call to stay vigilant and strengthen what remains, I keep returning to the tribute erected by John Salazar in honor of Bishop Matthiesen. Because it was built by a priest who used his “second chance” to harm children in our diocese, its continued presence risks sending a message that wounds survivors and obscures our call to truth.

As we prepare to celebrate 100 years of the Diocese of Amarillo, I humbly ask that we consider removing this tribute as an act of healing and justice—so that our Centennial begins in truth, not silence.

Thank you for hearing my heart. Be assured of my prayers for you and for our diocese.

In Christ,
Darrell Glenn

My Story
Photo used by permission of Douglas Kirkland/Corbis via Getty Images
Memorial in the Grotto of St. Mary’s Cathedral. The inscription says:
In memory of the death of innocence of the victims of clergy sexual abuse. When innocence dies…a life stops. It is essential that we never forget.
I was one of “the few” Bishop Zurek spoke of in this letter. He first posted it in August of 2019, and in response to my, “calling out all the more“, he kept reposting it atop the diocesan news page until December 11, 2019. There it remains to this day.
Fr. Ed Graff, brought here from Philadelphia by Bishop Matthiesen, was arrested in 2002 for sexually assaulting a minor and died later that year in jail. Despite the harm linked to his ministry, he was buried in an honored section of Llano Cemetery among our pioneering clergy — a decision that continues to wound survivors and raise hard questions for our diocese.
  • Bishop Matthiesen, who rode the white horse of public activism even as he brought abusive priests into our diocese—wounds that still mark us today. I spoke with him often, pleading with him to reconsider his “no regrets” about bringing those priests here…
  • Bishop Yanta, who sought to enforce the Dallas Charter even when Bishop Matthiesen resisted him, and who bore the personal and pastoral cost of doing so. I met with Bishop Yanta about Bishop Matthiessen’s “no regrets” stance. He listened. He believed me. He acted where he could. And when he retired, he urged me—quietly but firmly—to keep speaking out.
  • Bishop Zurek, who told the Diocese of Amarillo he had no facts about the Philadelphia report even as Amarillo’s connection to that tragedy was headline news. When I continued to speak out, as Bishop Yanta had once urged me to do, he later wrote that I was not among the faithful and loyal disciples whom the Lord Jesus desires.
  • And now Bishop Strickland, whose own fall from leadership echoes the pattern — a man whose zeal burned like a torch but often without the oil of communion, misused by others, yet still a wounded shepherd who, like me, carries pawprints of injury and longing.

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