Monday of the Fifth Week of Easter

“Whoever has my commandments and observes them
is the one who loves me.

Whoever loves me will be loved by my Father…
Whoever loves me will keep my word…”

Christ does not define love as a feeling,
nor as a declaration,
but as a fidelity.

Love, it seems, is something one does
or does not do.

img-20260320-wa00812477839083246693418

In first grade, when my attention wandered—as it so often did—
and I was suddenly called back to reality by a question from Sister,
I found a strategy:

Answer, “love.”

It was, I believed, a master key.

Whatever the question, “love” seemed sufficiently holy,
sufficiently vague,
and sufficiently likely to end the inquiry.

And indeed, I suspect I was not entirely wrong.

But I was not entirely right either.

For today, Christ refines my childhood philosophy
with a most inconvenient precision:

Not merely

“love”—

but

loves me.”

Which is to say, love is no longer an abstraction I can deploy,
but a relationship I must enter.

And worse still (or better, depending on one’s courage),
He insists that this love is proven
not by saying it,
but by keeping His word.

I would much prefer a love that remains in the realm of sentiment—
a warm inclination,
a noble idea,
a well-phrased answer to a difficult question.

But Christ, like a most uncompromising teacher,
marks such answers incomplete.

Love, He says, looks like obedience.

forgive my easy answers.

I have spoken of love
more readily than I have lived it.

I have preferred the word
to the work.

Teach me to love You
not only in thought or speech,
but in the quiet keeping of Your word.

When obedience is inconvenient,
when it is hidden,
when it costs me something—

let me love You there.

For I desire not merely to say

“love,”

but to be counted among those who loves You.

Close-up of a person's feet walking on a beach with a biblical quote overlay: 'Jesus is the way, the truth, and the life.'

Chesterton would have laughed—gently but firmly—
at my childhood discovery that

“love”

is the answer to everything.

“For indeed,”

he might say,

“it is the answer—provided one has first understood the question.”

The modern world speaks endlessly of love,
and yet grows increasingly confused by it.

It imagines love as freedom from obligation,
when in truth it is the deepest form of it.

For to love Christ is not to admire Him from a distance,
but to bind oneself to Him in action.

The paradox is striking:

The more I obey,
the more I love.

The more I love,
the more I desire to obey.

Thus love and law, so often opposed,
become in Christ a single reality.

And the childish answer—

“love”—

is not discarded,
but fulfilled.

Logo of the Laudato Si' Action Platform, featuring a stylized tree design with a gradient of colors, and the text 'LAUDATO SI' Action Platform' in a modern font.
Logo of Pope Francis' encyclical 'Laudato Si' featuring a globe surrounded by smiling children and green leaves.
Laudato si’ §52
Illustration of a family engaging in ecological activities around a globe, with the text 'Integral Ecology in the Life of the Family' on a green background.

Such commitment expresses our faith, which, as the Pope reminded us, “is
handed on [in the family] together with life, generation after generation. It is
shared like food at the family table and like the love in our hearts. In this way,
families become privileged places in which to encounter Jesus, who loves us
and desires our good” (Homily for the Jubilee of Families, Grandparents and
the Elderly, 1 June 2025).

INTEGRAL ECOLOGY
IN THE LIFE
OF THE FAMILY

Laudato si’ reminds me that love must be lived concretely—especially in how I treat others and the world entrusted to me.

Action:

Today, I will choose one specific act of obedience—
something I know Christ asks of me—
and do it deliberately,
as an act of love.

For Synodality is not merely walking together,
but loving together in truth.

“Plastic Jesus” is an American folk song best known for its appearance in the 1967 film Cool Hand Luke, where actor Paul Newman performs it while strumming a banjo. The song’s darkly humorous lyrics satirize blind religious devotion and consumer culture, capturing the film’s themes of rebellion and faith under duress.

A song that playfully critiques superficial religion—reminding me that true love of Christ cannot remain plastic, but must become personal and lived.

Ben-Hur is a 1959 American epic historical drama directed by William Wyler, based on Lew Wallace’s 1880 novel Ben-Hur: A Tale of the Christ. The film is renowned for its grand scale, technical innovation, and record-setting success at the Academy Awards, becoming one of the most influential epics in cinema history.

A story where vengeance is transformed by encounter—revealing that to love Christ is to be changed by Him, not merely to speak of Him.

8. Poetic Verse

I learned to say that love’s the key,
a word both wide and fair—
yet found the door still firmly shut,
though oft I spoke it there.

He did not ask for words alone,
nor sentiments above—
He asked my hands, my will, my steps—
He asked a living love.

So now I speak the word anew,
but walk it as I go—
for only he who keeps His word
can truly love Him so.

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